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2021 Language: Bengali

Sri Nrisingha Roychowdhury is the scion of an erstwhile Zamindar house of Bengal, currently settled in San Francisco. On the midnight of December 31, 2019, he consults a vagabond shaman and turns to the supernatural for get-rich-quick schemes. Come laugh with us as we conjure magic on screen, invite beings from other worlds, and peek into the future of the world with the short film, “Ke Baba, Hahalaba?”. As the famous saying goes, “Be careful what you wish for, because it might just come true”.

2021 Language:

Drawing inspiration from O Henry’s ‘Gift of the Magi’ and Satyajit Ray’s ‘Two’, the short film tries to project alternate realities of Gift - the spirit of giving, pitted against commoditization of Gifts.
The story revolves around an NRI family in Bay-Area. In their regular lifestyle the parents usher multiple gifts for their only son, who has grown an apathy towards gifts. Gifting is a ritual they follow in a mechanical way - the count and price-tags matter. The overwhelming variety of gifts dwarfs the possibility of cherishing one prized possession..

In a COVID-stricken world where the pandemic has taken a toll on the finances of millions; imagine how the same family, presumably struggling to meet their ends, would approach an unforeseen Christmas Eve. Experience how even an inexpensive gift can outshine the costliest of them in the spirit of gifting.

2020 Language: Benagali

2020 Language: Benagali

One of the many challenges of performing plays in a Zoom/quarantine world is to adapt everything to fit the screen and become a video conference / audio play. We challenged ourselves and introduced “Cool It”: a Bengali adaptation of Neil Simon’s Visitor from Forest Hills, and made four actors from three cities and two time zones appear on a screen as if they are in the same room. This hilarious play follows an acrimonious couple whose daughter has locked herself in a hotel bathroom on her wedding night, as the two of them try to figure out who is to blame for this misadventure.

2020 Language: Benagali

For many, in the Bay Area and around the world, home is not a safe place. In fact it is dangerous, insecure and full of threats. And the threat is magnified, when you cannot go out, when you are stuck at home.

At a time when most of the world was locked up at home due to the COVID-19 pandemic, our thoughts turned to the victims of domestic violence, whose plight had worsened since they could not leave the very place that was perhaps most dangerous to them. In recognition of domestic violence awareness month, the play “No Makeup” was born.

Written by Sukanya Chakravarty and directed by Sudeshna Raha this unique play was performed live on a “virtual stage” in an exploration of a “fourth” theatre form. It blended elements of cinematography with live theatre style acting, while being watched by a global audience through Zoom. No Makeup puts the spotlight on the plight of Geetanjali, a mother stuck in a violent situation at home, seeking help from Rohini, a family friend and a divorce lawyer. But is Geetanjali the only victim here? Well, you’ll just have to watch the play to know more!

2020 Language: Benagali

2020 Language: Benagali

2019 Language: Hindi

2019 Language: Benagali
We have come across mystics of all kinds in India: from Tantriks to Kapaliks to the quirky village witch. "The Jest of Hahalaba" plays on the quintessential human weakness to turn to these mystics for a supernatural or quick-fix solution to life's problems. From a director's perspective, it is amazing how the possibilities of a physical comedy open up, as soon as you're given the liberty to conjure a magic trick, and invite beings from other worlds onto your stage. Come and laugh with us, at the true "jest" of Hahalaba. And as the famous quote says, ”Be careful what you wish for because you might just get it”.
2018 Language: English

BAAT started their journey of quality theater productions with Agatha Christie’s mystery thriller “The Unexpected Guest”. It was an intense 1.5 hrs production of 2 shows in the weekend, with full stage setup, lights and music, captivating the audience with a thunderous applause when the show ended. If you want to relive that production watch